فائل:Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg

اصل فائل ‏(۷,۴۷۰ × ۵,۴۳۰ پکسلز, فائل حجم: ۵.۹۲ میگابائٹ, MIME type: image/jpeg)

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خلاصہ

ریمبراں: ؜The Jewish Bride

آرٹسٹ



ہور ناں	Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn
گل بات	Dutch painter، ؜printmaker تے drawer
جمن/مرن دیہاڑہ	۱۵ جولائی ۱۶۰۶	۴ اکتوبر ۱۶۶۹
جمن/مرن دی تھاں	لیدن	ایمسٹرڈیم
کم ویلہ	circa ۱۶۲۵ - circa ۱۶۶۹ date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902
کم تھاں	لیدن (1620-1624), ایمسٹرڈیم (1624-1625), لیدن (1625-1633), ایمسٹرڈیم (1631-1669)
Authority file	: Q5598 VIAF: 64013650 ISNI: 0000000121363802 ULAN: 500011051 Open Library: OL18362A DBNL: rijn017 WorldCat

سرخی

Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’

Object type

painting

Genre

portrait

Depicted people

حضرت اسحاق

تریخ

۱۶۶۲ - ۱۶۶۶

میڈیم

oil on canvas

ڈائمنشن

height: ؜۱۲۱.۵ cm؛ ؜width: ؜۱۶۶.۵ cm

Collection

رائیکس میوزیم ایمسٹرڈیم

	Native name	Rijksmuseum Amsterdam
	Location	ایمسٹرڈیم
	Coordinates	۵۲° ۲۱′ ۳۶″ N, ۴° ۵۳′ ۰۷″ E
	Established	۱۸۰۰
	ویب سائیٹ	rijksmuseum.nl
	Authority file	: Q190804 VIAF: 159624082 ISNI: 0000000121961335 ULAN: 500246547 LCCN: n79007489 GND: 1009452-0 WorldCat

ہن والی تھاں

Gallery of Honour

ملن نمبر

SK-C-216

Place of creation

ایمسٹرڈیم

اوبجیکٹ رکارڈ

by ۱۸۲۵: Vaillant (Probably Christiaan Everhard Vaillant (1746-1829)), ایمسٹرڈیم

۱۸۲۵: purchased by John Smith (art dealer), لندن, from Vaillant, Amsterdam for ۵,۰۰۰ NLG

۲ مئی ۱۸۲۸ - ۳ مئی ۱۸۲۸: sale of the collection of John Smith at Stanley, لندن, lot no. 67,, for ۴۲۰ GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)

جولائی ۱۸۳۳ (?): purchased by Albertus Brondgeest from Smith for Adriaan van der Hoop (1778-1854), Amsterdam for ۶,۸۲۵ NLG

۱۸۵۴: bequeathed to the city of Amsterdam, Inventory number SA 8292, by Adriaan van der Hoop, Amsterdam

۳۰ جون ۱۸۸۵: lent to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-C-216, by the city of Amsterdam

Exhibition history

Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, ایمسٹرڈیم, ۸ ستمبر ۱۸۹۸–نومبر ۱۸۹۸, cat. no. 119.

Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, ۱۱ جون ۱۹۳۲–۴ ستمبر ۱۹۳۲, cat. no. 40.

Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, ایمسٹرڈیم, ۱۸ مئی ۱۹۵۶–۵ اگست ۱۹۵۶, Museum Boijmans Van Beuningen, راٹرڈیم, ۸ اگست ۱۹۵۶–۲۱ اکتوبر ۱۹۵۶, OCLC 15659340, cat. no. 96.

Rembrandt 1669/1969, Rijksmuseum, Amsterdam, ۱۳ ستمبر ۱۹۶۹–۳۰ نومبر ۱۹۶۹, cat. no. 22.

Rembrandt-Caravaggio, ۲۴ فروری ۲۰۰۶–۱۸ جون ۲۰۰۶, Van Gogh Museum, ایمسٹرڈیم, Cat.no. 29.

اندرلکھت

دستخط تے تریخ :

Rembrandt f. 16[..]

اتے پتے

Anonymous, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, circa ۱۶۶۵-circa ۱۶۶۹, height: ؜۱۲۱.۵ cm؛ ؜width: ؜۱۶۶.۵ cm.
Anonymous, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, height: ؜۱۲۱.۵ cm؛ ؜width: ؜۱۶۶.۵ cm.
Anonymous, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, height: ؜۱۲۱.۶ cm؛ ؜width: ؜۱۶۶.۴ cm Anonymous, Bildindex der Kunst und Architektur, object 20186112, as Das Brautpaar (Die Judenbraut), after ۱۶۶۵, height: ؜۱۲۱.۵ cm؛ ؜width: ؜۱۶۶.۵ cm
Anonymous, Web Gallery of Art, as The Jewish Bride, circa ۱۶۶۵, height: ؜۱۲۲.۰ cm؛ ؜width: ؜۱۶۷.۰ cm.
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ».

Authority file

ذریعہ/فوٹوگرافر

www.rijksmuseum.nl : Home : Info

دوجے ورژن

File:Rembrandt Harmensz. van Rijn - Portret van een paar als Oud-Testamentische figuren, genaamd 'Het Joodse bruidje' - Google Art Project.jpg
Version from Google Cultural Institution

File:Rembrandt Harmensz. van Rijn - Het Joodse bruidje.jpg

File:Rembrandt La novia judia 1667.jpg

File:Rembrandt - The Jewish Bride - WGA19158.jpg
Version from www.wga.hu

File:Rembrandt Harmensz. van Rijn 042.jpg
Version from 10.000 Meisterwerke der Malerei

لائسنس –

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:

	This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
	ایہ فائل دے بارے چ دس اے جے اے کاپی حف دیاں روکاں توں کھلی اے تے نالدے رلدے حقاں توں وی۔

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

فائل دی تریخ

فائل نو اس ویلے دی حالت وچ ویکھن واسطے تاریخ/ویلے تے کلک کرو۔

	تریخ تے ویلہ	پاسے	ورتن والا	تیپّݨی کرو
موجودہ	۰۱:۱۵, ۱۸ مارچ ۲۰۲۰	۷,۴۷۰ × ۵,۴۳۰ (۵.۹۲ میگابائٹ)	Alter Meister	Same source, higher resolution
	۲۳:۱۱, ۲۲ اگست ۲۰۱۴	۳,۰۰۰ × ۲,۱۹۶ (۴.۲۸ میگابائٹ)	Vincent Steenberg	Reverted to version as of 11:20, 18 March 2012
	۲۰:۳۶, ۲۲ جولائی ۲۰۱۴	۷,۰۸۸ × ۵,۱۸۸ (۷.۶۶ میگابائٹ)	Vincent Steenberg	higher resolution
	۱۶:۲۰, ۱۸ مارچ ۲۰۱۲	۳,۰۰۰ × ۲,۱۹۶ (۴.۲۸ میگابائٹ)	Crisco 1492	Higher resolution, same source
	۱۶:۲۳, ۱ مئی ۲۰۰۸	۱,۶۰۰ × ۱,۱۵۳ (۲۵۴ کلوبائٹ)	BoH	{{Painting\| \|Title={{nl\|Portret van een paar als Oud-Testamentische figuren, genaamd 'Het Joodse bruidje'}}{{en\|Portrait of a couple as figures from the Old Testament, known as 'The Jewish bride'}} \|Technique={{nl\|}} \|Dimensions=121,5 × 166,5 cm \|Locatio